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And that night after school, when May Nell’s little wardrobe was all packed,—not without a slight baptism of Edith’s tears,—and waiting for the morning train, Mr. Smith came in and put a ceremonious looking document into Billy’s hand. “Say, fellows, business now, and no questions asked. There’s a hitch on the stage. Storm, wrap that cloak round you—don’t wait for fixings—and get to your place in the wings, quick! When I say ‘Go,’ take Rain’s hand, crouch low, run to the centre, and between you yank that snow tank off the stage. Sabe?” Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them..
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“Moses! Betty! Time fer school!” called Mrs. Wopp. Betty, satisfied that after Moses’ frenzied ministrations she was quite presentable, hastened into the house. Moses fled into the yard where he became very active splitting wood, his guilty conscience adding efficiency to his arm. The frenzied cries of the child were distinctly audible in the kitchen where sat Mrs. Mifsud and Mrs. Wopp, the latter busily engaged in mending a pile of socks. Both ladies sprang to their feet and hurried through the open door towards the garden, Mrs. Wopp still wearing a half-darned sock on her left hand and scattering others as she ran. They were followed by Betty, who had been filling her watering-can from the rain-barrel and had also heard the cries of the frightened child. “Break it,—not now; when I tell you.” “I guess ours’ll be a grown-up chap; but I wish he’d be a boy my size. How do you guess poor old San Francisco looks to-day?”.
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